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体育论文开题报告范文1
二、研究现状:
对于课堂互动与英语口语教学之间的关系,国内的研究主要集中在:(1)构建主义模式 它是以构建主义理论为基础的互动模式,司洪海在《构建主义理论与英语口语教学》中从对现有教学模式的“反思”入手,探讨将构建主义引入英语课堂教学的必要性、可行性及其意义和作用。卢艳春和路雅琴在《构建主义与大学英语口语课堂教学》中则分别“从构建知识观”“构建学习观”“构建教学观”入手,强调以学生为中心的主动性、构建性。(2)角色扮演模式 徐志敏、王瑛在《大学英语课堂互动教学中角色扮演探究》中着重探讨了在角色扮演的互动教学中教师的作用,对指导教学实践具有重要的意义。而黄玉兰在《角色扮演引入英语专业口语教学中》从角色扮演是“多为互动英语口语教学模式的应用”探讨了角色扮演这一教学方法的目的、步骤和利弊等方面。(3)以学生为中心模式 这一模式被单独研究的较少,黄影秋在《以学生为中心提高英语口语课堂教学效果的探索中》通过对学生口语课堂学习存在的问题的分析,提倡“以学生为中心”,实现教与学的“双边互动”。并提出阐述如何运用其他“教学策略提高口语的教学效果”,促进学生交际能力的提高。而刘蓉在《谈英语口语课堂互动》中则提出了互动可以创造“以学生为中心的口语课堂和整体小组作业模式”,提高口语交际能力。(4)合作性学习模式 这种模式的研究较为普遍和盛行,它兴起于美国,在后来取得实质性的进展的一种教学理论与策略。黄艳在《合作性学习在大学英语课堂的应用》中提出了以下几种合作模式,从而的出该模式的优势所在。顾晓乐在《合作性学习与情景剧表演》中从情剧表演的角度来证明合作性学习的有效性。肖巧玲在《大学英语口语教学中的合作学习》中则通过合作学习在口语教学中的实践探究合作学习应注意的原则。而慕东文在《合作性学习的特点、目标、内容和实践策略》一文中,他用“人文精神和平等民主合作”原则,对待新的理念,指导英语口语教学。(5)情景设置模式 它主要是根据gillian brown & george yuled的语言情景对第二语言习得者的交际紧张、焦虑的研究表明口语情景设置不适当,会影响学生用目标语进行交流,进而强调进行口语教学情景设置的重要性。张舍茹、孙边旗在《英语口语教学的情景设置>>中就论述我们应注意“情景互动教学中应遵循的原则”,及如何设置“英语口语教学中情景设置的形式”两个小方面局部性的探讨了情景设置这种互动模式。孙久荣在《论英语口语课的情景教学》中对情景设置这个模式从宏观上进行了分类,进而得出“开放式情景”和“封闭式情景”,为情景设置互动模式研究开辟了一个小领域。
三、研究的目的及意义:
通过对目前已经发展起来并比较成熟的几种互动模式的归纳来看:关于人际互动这种互动模式在目前的互动性研究中被单独研究还比较少,没有被当作一种独立的模式应用到英语口语课堂教学中,它更多的是被贯穿到其他几种互动模式当中。因此,本论题认为它还有进一步研究的空间。
四、研究的理论依据和研究方法:
本论题将以教育心理学的理论为基础,以互动理论和构建主义理论为依据,运用归纳总结的方法对已有的研究进行宏观上的概述,从而引出本文论题,通过例证分析、验证人际互动模式对课堂英语口语教学效果的提高所具有的重要意义。
五、提纲:
introduction
chapter one definition and theoretical basis of interaction
1.1 definition of interaction
1.2 theoretical basis of interaction
1.3 some main interactive modes in the present classroom
体育论文开题报告范文2
On Foreignization and Domestication of Cultural Factors in Translation (浅谈翻译中文化因素的异化和归化)
On Treatment of Cultural Factors in Translation (翻译中文化差异的处理方法)
On English Translation of Public Signs in Chinese (汉英公示语的翻译)
On Translation of English Names of Commendation (英语商品名称的翻译)
The relationship between Cultural Difference and Translation Skill 中英文化差异与翻译技巧
An Approach to the Translation of Poetic Image诗歌翻译的意象问题探讨
A Study of the Chinese Version of Titles of English Films英语电影片名汉译研究
A Study of the Chinese Version of Titles of English Novels英语小说题目的汉译问题
A Comparative Study of the English Version of the Poem “ Untitled “ by Li Shangyin李商隐的诗〈无题〉的英译比较研究
Foreignization and Translation of Idioms
On Culture Translation under Foreignization
On Faithfulness in Translation
On Fidelity and Expressiveness in Translation
Interpreting and Interpreting Skills
On Literal Translation and Free Translation
The Comparison and Translation of Chinese and English Idioms
Equivalence and its Application in Translation
Cultural Equivalence in Translation
Learning a Foreign Language Through Translation
Arts in Verse Translation
A Comparative Study of Two English Version of Hong Lou Meng
On Translating the Passive Voice
On the Translation of English Long Sentences
The Social and Cultural Factors in Translation Practice
The Application of Functional Equivalence in English and Chinese Cross-cultural Translation
Exploring English-Chinese Audiovisual Translation
On Chinese Translation of Journalistic English
On the Criteria of Interpretation
On the Unit of Translation
The Cultural Differences and Arts of Translation in Advertising Language
On Transformation between Parts of Speech in E-C Translation
Exploring Substitution and Ellipsis in Translation
On English Proverbs Translation
On the Criteria of Translation
The Analysis of Translation Style
Cultural Differences and Translation Strategies
Translation and Foreign Language Yeaching
Chinglish in C-E Yranslation
A Contrastive Study of English and Chinese Allusions and their Translation
English Neologisms in Newspaper and their Translation
On Translation of Humor in Pride and Prejudice
On Features of Journalistic English and its Translation
Cultural Discrepancies and their Influences on Translation
English and Chinese Translation Song lyrics
Translation of Address Term between English and Chinese
On the Importance of Context in Translation
On the Translation of English Pun into Chinese
The Role of Dictionary in Translation
Thought Pattern and its Influence on Translation
Lexical Characteristics of Legal English and Legal Lexicon Translation
Features of Foreign Trade English and its Translation Model
On Euphemism Translation
Translation of Metaphor from English into Chinese
Features of Tourism English and its Translation
翻译中的文化因素
影视字幕翻译的原则
影响长句翻译的因素
例析英译汉中形象语言的处理
生活中广告英语的翻译特色
对翻译原则“以信为本,求真求美”的思考
翻译中的中国英语与中国式英语
南昌旅游景点中英翻译错误及纠错对策
背景知识在口、笔译中所扮演的角色
分析商务英语翻译的不对等性
英美文学
The Gift of Magi and Consumensm
A Brief Comment on An American Tragedy
An Analysis of the Source of Dichson's Death Poems
On The Call of the World
Love Tragedy and War—An Analysis of A Farewell to Arms
Sister Carrie and Jennie Gerhardt
The Evil of Mankind Portayed in Moby Dick
On Henry Heming in The Red Badge of Courage
Emily Dickingson and her Poems
Analysis of A Rose of Emily
The Aesthetic Interpretation of Ezra Pound's Poetry
Symbolism in The Great Gatsby
an Analysis of the theme of adventures of Huckleberry Finn
On the symbolism of The Old Men and the Sea
Some English Learner’ image of America(survey and study)
Influence of the Bible on English Literature
Deviation and Foregrounding in … (using literary works for a case study)
The Language of Shakespeare’s Sonnets, or of any particular literary works
Cultural Shocks in the English Language Textbooks
Deep Love And Deep Hate—A Brief Analysis On Wuthering Heights
Psychological Descriptions In Hemingway’s The Snows Of Kilimajaro
On Ernest Hemingway And His Novel The Sun Also Rises
Difference Between China And The West Reflected In Social Manners
鸟的赞歌--------评英国浪漫派诗歌
《呼啸山庄》的悲剧分析
海明威英汉形象和冰山风格
《名利场》的现实意义
苔丝的形象分析
哈姆雷特的犹豫再探讨
爱伦坡小说的艺术创作成就
爱伦坡小说人物塑造
O Neill剧作对美国戏剧的影响
华兹华斯的语言风格
华兹华斯的自然观
诗人哈代
简述哈代的悲剧性叙事艺术On Hardy's tragedy narrative art
奥斯丁与勃朗特写作风格异同The comparison between Austen and Bronte in writing style
杰克·伦敦(或某作家)《》(某作品)评述On Farewell to Arms of Hemingway
浅析《失乐园》中撒旦的形象塑造
《还乡》的悲剧艺术特色
蓓基形象再解读
蘩漪与伯莎梅森的比较研究
爱玛形象的魅力
海明威研究——浅析海明威笔下的女硬汉子
《苔丝》的悲剧性与现代性 Tragedy and Modernity in Tess of D’Urbervilles
华兹华斯诗歌的和谐观 On the View of Harmony in Wordsworth’s Poetry
海明威小说的悲剧意识
从《老人与海》看海明威的创作特点
《红色英勇勋章》的叙述技巧分析
论《白鲸》的象征含义
论吴尔夫的《1间自己的房间》中的女权主义
论简。奥斯汀对《爱玛》主人公的塑造
《红字》中的象征
体育论文开题报告范文3
论文题目:
跨栏跑中跳栏现象产生的原因及对策
一、选题的理论意义与实践意义:
理论意义:跨栏跑是一项高强度的跑与跨相结合的径赛项目,是田径运动项目中技术比较复杂,对身体素质要求高,有较强克服水平障碍的运动项目之一。因此在跨栏跑教学过程中常常会出现学生“跳栏”、“惧栏”的现象,这一现象直接影响教学进度和部分学生的学习效果,导致教学任务无法顺利完成。对跨栏跑的基本技术如起跨距离、栏间节奏等,身体素质如速度、力量、柔韧及克服“惧栏”的心理因素这几个方面进行研究,找出学生跳栏现象产生的原因,并提出消除跳栏现象的对策。实践意义:跨栏跑是高校田径教学中的一项重要内容,对大学生树立良好的心理品质和发展身体素质,培养学生勇敢、顽强的意志品质都起到重要作用。本文以我院2008级田径专修班(男生)为调查对象,通过对“跳栏”这一错误动作技术的调查和分析,总结出产生这种现象的原因,以期能给学生和老师在教学训练中带来理论上的指导和帮助。
二、研究方向的动态及本文创新点:
韩先利在《浅谈高效跨栏跑教学中的“跳栏”现象》文中提出了产生跳栏现象的原因,主要是学生在学习过程中没有完全领会跨栏的技术,如栏间节奏和起跨点,学跨栏时总感觉栏架高、栏间距太短产生惧栏心理因素。并对这些原因进行了分析,最后根据这种现象提出了相应的对策。姚伟丽在《体育院校跨栏跑教学应对学生恐惧心理的探究》文中提出:引起跳栏的主要原因是学生的心理惧怕问题,通过心理训练就能克服学生跨栏跑时的恐惧,解决跳栏问题。张栗一在《如何克服跨栏教学中的胆怯和恐惧心理》一文中提到跨栏产生恐惧心理是由于学生的自身身体素质和跨栏技术所决定的,为了避免跳栏现象就必须解决自身的速度、力量、柔韧等问题。研究发现,前人的这些相关研究成果都分别从不同角度分析总结了产生跳栏现象的原因,有些研究还给出了相应的解决对策,为本研究奠定了良好的理论基础。但纵观以往研究不难发现,以往的相关研究普遍表现得不够系统和全面,对产生“跳栏”现象这一问题分析得不够深入。本文在借助前人相关研究的基础上,拟从学生的心理、技术、身体素质等方面系统分析,找出造成“跳栏”现象的各种原因,分析问题,提出对策。
三、主要研究内容及提纲:
1.前言2.研究对象与方法3.结果与分析3.1学生心理素质对“跳栏”现象产生的影响3.1.1学生产生惧怕感的原因分析3.1.2克服学生产生恐惧心理的对策3.2学生身体素质对“跳栏”现象产生的影响3.2.1速度与“跳栏”现象的关系3.2.2力量与“跳栏”现象的关系3.2.3柔韧与“跳栏”现象的关系3.3学生技术动作质量对“跳栏”现象产生的影响3.3.1起跨点与“跳栏”现象的关系3.3.2栏间节奏与“跳栏”现象的关系3.3.3摆动腿的攻栏技术与“跳栏”现象的关系4.结论与建议5.参考文献四、研究的方法与手段:1.问卷调查法通过向我院08级田径专修班男生发放问卷调查表,对相关问题进行调查,获得材料和信息。2.数理统计法把收集到的数据整理,统计分析。3.文献资料法通过图书馆、电子阅览室,查阅与本研究相关的书籍、期刊,收集相关的文献资料,为文章提供足够的理论支撑。4.逻辑分析法通过对收集相关数据和文献资料进行分析与整理,为本文的论证找出逻辑关系提供有力的帮助
体育论文开题报告范文4
上世纪七十年代美国教育家提出了“合作学习”即“主动探究,合作学习”的理念。认为:教师的主要功能不是传授知识,传递信息,而是激励思考,营造氛围,让学生有一种心理安全和心理自由,大胆表现自我,学会对话交流互助合作,它特别重视对学生资源的开发利用。本世纪初,“探究交往合作观”在我国得到广泛认同和传播。“研究性学习” 作为一门课程被列入中学课程计划,成为中学生的必修课,说明我国已在课程教育改革中对学生资源价值进行重新确认和开发。不少有识之士积极致力于语文教育的理论建构和实践建设活动。其中,在吸取融合主体性教学、合作教学以及建构主义理论、后现代课程观,特别是西方解释学的基础上产生的“对话理论”,已成为本次语文课程改革引进的阅读和教学的新理念。该理论认为“阅读教学是学生、教师和文本之间对话的过程。”它包含着两层含义:一指阅读是读者与文本的主体间对话过程;二指教学是教师与学生以及学生与学生的对话过程。 我认为对话理论必将在构建新的教育体系中发挥巨大作用。在《语文课程标准》中明确“阅读教学是学生、教师和文本之间对话的过程。”目前,对如何用该理论来指导教学实践的研究案例还较少,在实际的教学中缺少可供借鉴的案例。
主体性教学:主体性教学是指以培养与发挥人的主体性为价值取向,以发挥师生的积极性、能动性和创造性为前提,以创设平等、民主、和谐的教学环境为条件,以知识为载体,师生主动参与,主体性共同发展的一种新型教学观。
建构主义理论:建构主义学习理论强调以学生为中心,不仅要求学生由外部刺激的被动接受者和知识的灌输对象转变为信息加工的主体、知识体系的主动建构者,而且要求教师要由知识的传授者、灌输者转变为学生主动建构体系的帮助者、促进者。
体育论文开题报告范文5
I.Title: A Study on the Differences of Topics and Subjects in English and Chinese
II. Introduction
Chinese grammar system, in one sense, is basically an imitation of western grammar systems. But when we put into pratice , many Chinese grammarians have found that the rules of the westernized languages do not hold water. Therefore, many disputes and controversies have arisen,especially the differences of Topics and Subjects in English and Chinese . It is necessary to combine the traditional research on Chinese grammar with the contemporary western theory of grammar, so that it can help our Chinese grammar research joint the mainstream of Linguistics worldwide and bring the two way together---try to find the universal grammar. We believe that, the process in conformity is not always Smooth and pleasant, but the results are supposed to benefit China and the world finally .
III. Literature Review
Subject and topic as two basic concepts in modern Linguistics , their relationship is considered as the crucial research project and heated topic in Linguistics.
1, Subject is originated form the western grammar systems . In general linguistics , many scholars are trying to give a current concept to subject . According to the research on all kinds of languages around the world , Keenan(1976) summerized the grammatical,semantic and textual features that subject has . The following are conclusion Trask(1993:266) made from all kinds of documents including Keenan(1976) (参见石毓智,2019):
Subject is the noun phrase that probably has the most prominent feature in syntactic relation in sentence. Subject has all kinds of features in grammar, syntatics and text , mainly consisting of:
1 Subject represents independent substance;
2 Subject restricts the co-reference in sentence, including pronoun, reflexive pronoun and null anaphor;
3 Subject restricts the agreement in verbs;
4 Subject is the topic with no mark;
5 Subject can be questioned by interrogative pronoun,and also can be focused.
6 Subject is usually lack of morphological markers.
7 Subject is ususlly considered as the actor of unmarked structure.
His conclusion may be more suitable to describe the characters of western languages . Concerning Chinese, part of the descrition fail to reflect the linguistic fact in Chinese. For example, Trask thought that subject is the topic with no mark . He neglected of pragmatic feature of topic . Because we can’t confirm whether the subject is equal to the topic in a single sentence. And he also thought that subject is ususlly considered as the actor of unmarked structure, which is not accord to the fact in our Chinese .As in Chinese , not only actor, but also patient, instrument, timing and location can act as subject in sentence.
2 , In 2019, Shi Yuzhi tried to conclude about the subject ’s characteristers in form in Chinese. His conclusion is as followed :
The form of the subject can be placed both in subordinate clause and sentence.
Subject can be focused.
Subject can be questioned by interrogative pronoun.
And its semantic characters are :
Subject is the actor of behavior act.
Subject is the main body of nature and state.
Shi thought that the main difference butween subject and topic is that subject is the ingredient of grammatical structure while topic belongs to the discourse concept. The former one can be put into sentence and subordinate clause; the latter only can stay in sentence aspect. But his method to distinguish subject to topic seems to be a bit vague.As in Chinese, there is a kind of sentence in unusual order, for example: “书小王看完了”. In Shi’s opinion, that is a topic structure for it can not be placed in a clause. But in fact, it belongs to a classical subject-predicate sentence. “书” is either the subject, or the topic.
3 , Since Zhao Yuanren introduced ‘topoc’ into our grammar study in Chinese , the scholars in Chinese home and abroad keep going with research on topic . Li Na & Thompson are the representatives on this issue. They’ve done a systematic contract to subject and topic. They said that topic means what is about in the sentence while subject is what the verb predicates; topic can not be indefinite and generic but subject can ; topic have to appear at the front of a sentence while subject is allowed to appear in the sentence; there always be a pause between topic with other parts of a sentence.But in Chinese , it is not necessary that the topic appear at the front of a sentence. For example: “老师,这件事让我来处理吧。” In this sentence, “这件事” is the topic ,but it doesn’t appear at the front of a sentence.
4 , It is generally accepted that subject is a concept of syntactic structures while topic belongs to Pragmatics . But Xu Liejiong & Liu Danqing(1998) didn’t . In their thesis, they consider topic as a ingredient of syntactic structures. Just like suject and object , the topic also share a position in a sentence. As an independent ingredient , each of them should has its own position and can not be overlapped. Then, let’s analyze this following sentence “小张不来了。”. “小张” is the subject and topic at the same time. subject and topic have been overlapped, so it doesn’t work to consider topic as an ingredient of syntactic structures.
5 Qu Chengxi(1996), as a specialist of functional grammar, thought that if one only adopt his own theory when he is doing research on Chinese grammal , he will always feel impractical. We should try to appreciate other’s thinkings or even accept them if available and no conflict arisen. And I think his opinion is quite fit to grammar study on Chinese.
IV. Methods and Materials
Through reading materials from library and the Internet, I’ve acknowledged much about subject and topic in Chinese and English and their differences . Many scholars have defined the subject and topic in many different angles, such as the form, cognition,function and so on. I prefer to study subject and topic from functional grammar than from the others. At the same time , it will be basic on cognition and communication.
V. Discussion
Guided by the literature review, there is a point we should make sure, subject is a concept of syntactic structures while topic belongs to Pragmatics whatever our research goals are and from different angles. At the same time , we have to accept that Chinese is a language that is lack of morphological change and is very difficult to distinguish subject from topic. So when we are doing this kind of research , we should try our best to define it clearly ,especially formally.
VI. Outline of the Paper
1. Introduction
2.Subject and topic in English
2.1Subject in English
2.1.1 Dispute over subject in English
2.1.2 Definition of subject in English
2.1.3 Choice of subject and its semantic role
2.2Topic in English
3. Subject and topic in Chinese
3.1Subject in Chinese
3.1.1Importance of subject to Chinese
3.1.2 Choice of subject and its semantic roles
3.2Topic in Chinese
4. A Comparison between Chinese and English
4.1 Subject in Chinese and English
4.2 Topic in Chinese and English
5. Conclusion
VII. References
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[2]屈(Chu)承熹. 汉语认知功能语法[M].黑龙江: 黑龙江人民出版社,2019:2~5 .
[3]屈(Chu)承熹. 汉语功能语法刍议[J]. 世界汉语教学. 1998,4:28-42
[4]屈(Chu)承熹. 从汉语的焦点与话题看英语中的Y-Movement及其它倒装句[J]. 外语学刊. 1993.3
[5]石(Shi)毓智. 汉语的主语与话题之辨F[J]. 语言研究. 2019, 43(2): 82-91.
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体育论文开题报告范文6
现代汉语论文开题报告及格式
开题报告
题目:《浅谈贾宝玉与西门庆的悲剧性》
姓名:自己名字
指导老师:老师名字
专业:汉语言文学教育
系别:中文
年级:自己年级
1课题论证
(1)国内外研究现状
中国的两大世情小说《红楼梦》、《金瓶梅》。对他们的研究是中国古代小说研究领域中的两大学术热点。被称为中国第1奇书的《金瓶梅》从106世纪末问世后,研究者1开始不是很多,但是随着中国学术的从古典向现代转型,随着小说价值观念的变革与更新。对《金瓶梅》的研究渐渐的由微入深,被学术界称为“金学”。并受到国外学者的高度重视。现如今的外文译本有英、法、德、意、拉丁、芬兰、俄、日、朝、越、蒙等10几多种文种。对其做出了各方面的重大研究,并称其为中国通俗小说的发展史上1个伟大的创新。国内外的众多评论者并对其的创作时代、作者,及其所要暴露的社会矛盾和小说中所剖视扭曲的人性、悲剧性,性的描写,人物性格的刻画,语言的运用,并对其形成的网状结构做出了大量的归纳和探究。《红楼梦》与《金瓶梅》之间有着10分明显的继承和发展的关系。《红楼梦》是《金瓶梅》的1个重大的突破。引起了众多的人对《红楼梦》的评论和研究的兴趣,并形成了1种专门的学问——红学。《红楼梦》这部伟大的作品是属于中国的,也是属于世界的。《红楼梦》在国外有多种的译本:英、法、日等10几种语种的译本。并且国内外众多的评论者对其版本、作者,以及其的社会悲剧,人生悲剧,爱情悲剧,人物性格,个性化的文学语言,写实与诗化的融合,浑融1体的网状结构做出了大量的归纳和探究。然而,贾宝玉与西门庆作为是《红楼梦》和《金瓶梅》的两位男主人公。国内外的众多评论者都对其2人的人物形象,语言风格,现实原型,性格内涵,性的体验,个人悲剧等都做出了归纳和探究汉语言文学专业本专科生毕业论文开题报告及格式汉语言文学专业本专科生毕业论文开题报告及格式。《红楼梦》作为是《金瓶梅》的1个延续、1个发展,它的男主人公贾宝玉与西门庆有着1定的联系,对其2人的研究在今后应趋向于2人的社会悲剧,人类悲剧,男人悲剧的诠释及分析。
(2)现实意义
《金瓶梅》作为是中国的第1奇书,自问世以后,就为中国的世情小说的发展奠定了基础,并且把我国长篇小说的发展划分成了才子佳人的故事和家庭生活为题材描摹世态的及以社会生活为题材、用讽刺笔法来暴露社会黑暗的两大派系。而《红楼梦》在批判的继承了《金瓶梅》的才子佳人小说的创作经验后又有了重大的突破。成为了世情小说最伟大的作品。在“54”文学革命者做出了新的评价,鲁迅等阐述了《红楼梦》的现实主义精神和杰出成就后,使《红楼梦》的现实主义精神得以回归。直到现在,《红楼梦》、《金瓶梅》仍是许多作家永远读不完、永远值得读的好书。成为中国作家创作出高水平的作品的不可多得的借鉴品。然而,探讨两大名著的男主人公贾宝玉与西门庆的悲剧性,可以对两大名著中的社会悲剧,人类悲剧,男人悲剧更好的认识和了解,以供后人借鉴。从而启发后世的世情小说的创作,使今后的世情小说创作中的人物悲剧性达到1个更高的巅峰。
2方案设计
(1)总论
没有《金瓶梅》就写不出《红楼梦》,从《红楼梦》与《金瓶梅》题材类似的角度引出中心论点。
(2)分论
全文分3个部分
第1部分:阐述西门庆的悲剧性
西门庆1个市井无赖、流氓、棍,1个精明的商人,靠着他对金钱的占有肆意的挥霍、放纵,以自我为中心来实现他对放纵,及其通过金钱获得了强大的权利,随意的鄙弃人间,在此背后所体现出的社会的黑暗、腐败。构成了其特有的社会悲剧、人类悲剧、男人的悲剧。
第2部分:阐述贾宝玉的悲剧性
贾宝玉1块晶莹剔透的宝玉1个显耀的贵族,他的个性、他的自我、他对女孩子的尊崇迫使他与封建传统相背道。他作为荣国府的唯1继承人,他肩负着荣国府的全部希望。但是他自身的性格特点,使他成为了“大逆不道的不肖子。”
第3部分:论证传统的价值观、传统的伦理观与贾宝玉、西门庆的悲剧性
传统的价值观、传统的伦理观,在贾宝玉与西门庆的行为中被肆意的践踏,新兴的与传统的极大的对立,但是封建的旧势力是无比强大的,最终,贾宝玉是失败的,西门庆是失败的,形成1个永恒的悲剧。
(3)总论
总括全文,证实论点
3计划进度
第1阶段:2007年10月20日——2007年12月18日阅读文献,收集资料
第2阶段:2007年12月19日——2008年1月6日拟定写作提纲
第3阶段:2008年1月7日——2008年3月31日撰写初稿
第4阶段:2008年4月1日——2008年5月11日修改定稿
4参考文献:
[1]管曙光编:《金瓶梅之迷》,中州古籍出版社,2000年版。
[2]明/兰陵笑笑生著,司徒博文译:《金瓶梅》,上海古籍出版社,2005年版。
[3]清/曹雪芹、高鄂著,张秀枫主编:《红楼梦》,时代文艺出版社,2000年版。
[4]清/曹雪芹著,杨国祥、杨德宏主编:《红楼梦》,长春出版社,1995年版。
[5]张国星编:《鲁迅等解读〈金瓶梅〉》,辽海出版社,2002年版。
[6]尹恭弘著:《〈金瓶梅〉与晚明文化》,华文出版社,1997年版。
[7]袁行霈主编:《中国文学史》第4卷,高等教育出版社,1999年版。
[8]严明、田晓春等编著:《中国古代文学史(2)导学》,北京大学出版社,2002年版汉语言文学专业本专科生毕业论文开题报告及格式论文。
[9]张炯、邓绍基、樊骏主编;《中华文学通史》第3、4卷,华艺出版社,1997年版。
[10]张国星编:《鲁迅王国维解读〈红楼梦〉》,辽海出版社,2002年版。
[11]智喜君著:《〈金瓶梅〉与欲》,辽海出版社,2005年版
淘宝精品
[12]张业敏著:《〈金瓶梅〉的艺术美》,教育科学出版社,1992年版。
[13]张国风著:《〈红楼梦〉趣谈与索解》,春风文艺出版社,1997年版。
[14]朱1玄编:《红楼梦资料汇编》,南开大学出版社,2001年版。